Publisher: E.P. Dutton amp Company Publication date: 1914 Notes: This is an OCR reprint. There may be numerous typos or missing text. There are no illustrations or indexes.
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Resmin biçimsel yapısı, organik bütünlüğünü oluşturan temel öğe ve ilkelerin kompozisyonda nasıl organize edildiğini cevaplarıyla ortaya koyan "yapısalcı (teknik-biçimci)" eleştiri ile açıklanır. Sanatçının eserini yaratırken kullandığı temel öğe ve ilkeler, o eserin biricik olmasını sağlayan bütünün de parçasıdır. Bütünün parçası olan bu elemanların, kuramsal olarak belli açıklamalara sahip olmuş olsalar bile, sanatçının bu kavramlara yüklediği anlam ve/veya kullandığı imgelerle değişebileceği, yeni an-lamlar ve alternatifler sunacağı açıktır. Her eserde yeni bir anlam ve biçim bulmuş olan bu altyapı elemanları, eserin kendi varoluşu içinde ele alınıp değerlendirilmeli. Bu nedenle resmin biçimsel olarak çözümlenmesi, her resim için aynı soruların sorulmasını gerektirirken alınacak cevaplar değişkenlik gösterebilir. Kitapta çözümlemesi yapılan resimler, Ön Rönesans döneminden başlayarak Aydınlanma Çağı'na kadar geçen süreci kapsıyor. Bunun yanı sıra neoklasik dönem eserlerinden örnekler de yer alıyor. Yazar bu tarihsel çerçeveyi, eleştiri yöntemlerinin sanat kuramları ile olan bağlantılarını göstermek için kuruyor. Çözümlemesi yapılan resimler, uzun yıllar sanatın biçimlenmesinde söz sahibi olan "Yansıtma Kuramı"nın etkilerinin ve sonuçlarının görüldüğü örnekler arasında yer alıyor. Aralarında Giotto, Botticelli, Bosch, Dürer, Giorgione, Leonardo, Michelangelo, Raffaello, El Greco, Caravaggio, Zurbartan, Rembrandt, Poussin, Fragonard, Watteau, David ve Guerin gibi pek çok sanatçının eserlerinin yer aldığı çözümlemeler, üslupsal özelliklere dair gerekli bilgi akışının yanı sıra sanatçıların sanata yaklaşımı, onu aktarması ya da yorumlaması konusunda açıklayıcı bilgiler içeriyor.
Akademisyen ve ressam olan yazar, kitapta okura bir resmi biçimsel yapısından hareketle nasıl değerlendirebileceğinin ipuçlarını veriyor. Her ne kadar kitabın anateması, resimle karşı karşıya gelen izleyicinin estetik duyumunun biçimsel nedenlerini ortaya koymak olsa da, sanat eğitimi alan bireylere bu konuda ışık tutacağı ve resim sanatına kazandıracakları yeni eserlerde yol gösterici olacağı da açıktır. (Tanıtım Bülteninden)
Aaron has never left alone before.
He is mute, and depends on his mother for everything.
But tomorrow Aaron will be twelve years old, old enough to stay home by himself while his mother goes to town. Everything will be fine, as long as he stays close to the house. And if there's trouble, Aaron can write what he needs to say. Trouble there is aplenty. When a terrible blizzard keeps his mother from returning home, Aaron sets out to search for her—but he stumbles upon the mysterious Half-a-Moon Inn, where the crafty Miss Grackle forces him to work for her. How can Aaron stop her from carrying out her devilish schemes—before it's too late?
The work of Charles Bird King, George Catlin, and Karl Bodmer looms large in the field of history, ethnology, and anthropology. No serious study of American Indian people can be undertaken without reference to it, and yet the names of these three men are largely unknown to the general public. Although King, Catlin, and Bodmer worked independently of one another, they were united in a singular vision: all were dedicated to preserving the various cultures of American Indian people through their artwork and writings. Native Americans: A Portrait presents for the first time in one volume a major selection of the original drawings, paintings, and lithographs by these three artists. More than 300 striking full-color reproductions take the reader to the American frontier to experience Indians in their original environment - performing religious ceremonies, hunting buffalo, engaging in bloody battles, and simply living their lives. Also included are dozens of magnificent portraits of the most prominent Indian leaders of the day. The accompanying text by noted scholar Robert J. Moore, Jr., describes the powerful political currents of the 1830s that led to the forced removal of the Indian tribes, while original quotes from the artists themselves offer invaluable insights into nineteenth-century white American culture.
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From the outlaw Highlander hero Rob Roy MacGregor to the tragic history of Bonnie Prince Charlie's last Jacobite Rising, the courage of Flora MacDonald, and the swashbuckling legend of Morty Óg O'Sullivan, WELCOME HOME is a tapestry of the great romantic rivalries and the brutal conflicts between England and the Celtic nations, especially Scotland and Ireland. Along the way, there are stops through little known incidents that bring Henry VIII, Bloody Mary, Mary Queen of Scots, Elizabeth I, and other historical figures roaring to the page, together with stories, music, and recipes that will immerse readers into the historical battles between towering personalities. Read it through from cover to cover or jump around via the table of contents. WELCOME HOME will make you reexamine what you thought you knew about the facts in your history books as well as the characters in your favorite historical romances, novels, and television shows. Beautifully and engagingly told, this collection seamly blends legend and history and places historical fiction and the contemporary view of Scottish and Irish historical fact into context. It's perfect for readers who love Martina Boone's Celtic Legends Collection, Nora Roberts' trilogies from Scotland and Ireland, Diana Gabaldon's OUTLANDER series, Susannah Kearsley's modern gothic novels with a touch of history, or medieval or regency historical fiction featuring men in kilts.
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